<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-9157044389053604082</id><updated>2011-07-12T09:38:08.518-07:00</updated><category term='CV'/><category term='Michael Lee'/><title type='text'>michael+lee+hong+hwee</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://michaelleehonghwee.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9157044389053604082/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://michaelleehonghwee.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Michael Lee</name><uri>http://www.blogger.com/profile/09902824114471110979</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>8</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-9157044389053604082.post-8807978902737365365</id><published>2009-11-18T07:59:00.000-08:00</published><updated>2009-11-30T08:50:03.833-08:00</updated><title type='text'>National Columbarium of Singapore</title><content type='html'>ARTWORK&lt;br /&gt;National Columbarium of Singapore&lt;br /&gt;Model-and-text installation&lt;br /&gt;Bristol board &amp; vinyl&lt;br /&gt;Variable dimensions on 1:100 scale&lt;br /&gt;2009&lt;br /&gt;&lt;br /&gt;Part of Lost in the City exhibition, a partner programme of Singapore Art Show 2009, at Level 2, Glass Atrium, National Museum of Singapore&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;About the work:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;National Columbarium of Singapore&lt;/span&gt; is a model-and-text installation that addresses issues of urban development, memory, and naming. Instead of housing human remains, this hypothetical columbarium features 100 lost Singapore architecture including 45 scaled models of demolished buildings as well as fictitious and unbuilt structures.&lt;br /&gt; &lt;br /&gt;White pervades the seemingly phantom city, triggering one’s memory and imagination. Miniaturisation of the buildings into models also stirs the audience to contemplate issues of space, power, and accountability. &lt;br /&gt;&lt;br /&gt;By mixing history with fiction, abstraction with realism and artefacts with words, this installation evokes stories and memories about the buildings, extending their “life” beyond their physical existence.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Credits:&lt;/span&gt;&lt;br /&gt;Data Visualiser: Michelle Chow&lt;br /&gt;Design Contributors: Clare Tan, Wu Huei Siang&lt;br /&gt;Digital Modelers: Chng Renhui, Jerry Soo&lt;br /&gt;Model-Making Assistants: Chun Kai Feng, Clare Tan, Fabian Fan, Fiona Tan, Gracia Vera Quek, Huang Jiahui, Iyan Darmaja Mulyadi, Jason Teo, Jonathan Yue, Neo Wen Hao, Poh Weehao, Tai Shijie, Wu Huei Siang, Yip Ching Lok&lt;br /&gt;Project Coordinator: Neo Wen Hao&lt;br /&gt;Proofreader: Tang Ling Nah&lt;br /&gt;Research Assistant: Gisela Thomas Vionny&lt;br /&gt;Research &amp; Text Contributor: Stephen Black &lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Special Thanks:&lt;/span&gt;&lt;br /&gt;Design Act, Heng Chye Kiou, Julia d’Silva, Kam Wai Chin, Kelvin Ang, Kelley Cheng, Lam Chun See, Lilian Chee, National Archives of Singapore, National Junior College, National Library Board, Randy Chan, Wong Moh Keed&lt;br /&gt;&lt;br /&gt;(Photos by ChrisP unless otherwise stated)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/22388919@N00/4115626196/" title="RIMG0177 by 060672, on Flickr"&gt;&lt;img src="http://farm3.static.flickr.com/2714/4115626196_0fb7e3a5cf_s.jpg" width="75" height="75" alt="RIMG0177" /&gt;&lt;/a&gt;&lt;br /&gt;(Installation view from below stairwell, Level 2, Glass Atrium, National Museum of Singapore; Photo by Michael Lee Hong Hwee)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/22388919@N00/4114805473/" title="Michael Lee 107 (Image by ChrisP. Courtesy of National Museum of Singapore) by 060672, on Flickr"&gt;&lt;img src="http://farm3.static.flickr.com/2669/4114805473_742d1f3920_s.jpg" width="75" height="75" alt="Michael Lee 107 (Image by ChrisP. Courtesy of National Museum of Singapore)" /&gt;&lt;/a&gt;&lt;br /&gt;(Installation view from mid-stair)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/22388919@N00/4115569294/" title="Michael Lee 103 (Image by ChrisP. Courtesy of National Museum of Singapore) by 060672, on Flickr"&gt;&lt;img src="http://farm3.static.flickr.com/2580/4115569294_34016db2c5_s.jpg" width="75" height="75" alt="Michael Lee 103 (Image by ChrisP. Courtesy of National Museum of Singapore)" /&gt;&lt;/a&gt;&lt;br /&gt;(Installation view from above stairway)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/22388919@N00/4114826313/" title="Michael Lee 05 (Image by ChrisP. Courtesy of National Museum of Singapore) by 060672, on Flickr"&gt;&lt;img src="http://farm3.static.flickr.com/2794/4114826313_4f91778607_s.jpg" width="75" height="75" alt="Michael Lee 05 (Image by ChrisP. Courtesy of National Museum of Singapore)" /&gt;&lt;/a&gt;&lt;br /&gt;(Partial installation view with timeline in background)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/22388919@N00/4114840179/" title="Michael Lee 63 (Image by ChrisP. Courtesy of National Museum of Singapore) by 060672, on Flickr"&gt;&lt;img src="http://farm3.static.flickr.com/2567/4114840179_11c9fac8f9_s.jpg" width="75" height="75" alt="Michael Lee 63 (Image by ChrisP. Courtesy of National Museum of Singapore)" /&gt;&lt;/a&gt;&lt;br /&gt;(Detail of timeline)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/22388919@N00/4114846535/" title="Michael Lee 65 (Image by ChrisP. Courtesy of National Museum of Singapore) by 060672, on Flickr"&gt;&lt;img src="http://farm3.static.flickr.com/2675/4114846535_dcb579ecef_s.jpg" width="75" height="75" alt="Michael Lee 65 (Image by ChrisP. Courtesy of National Museum of Singapore)" /&gt;&lt;/a&gt;&lt;br /&gt;(Detail of view from staircase landing)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/22388919@N00/4114572107/" title="Michael Lee 27 (Image by ChrisP. Courtesy of National Museum of Singapore) by 060672, on Flickr"&gt;&lt;img src="http://farm3.static.flickr.com/2670/4114572107_88ea51a51b_s.jpg" width="75" height="75" alt="Michael Lee 27 (Image by ChrisP. Courtesy of National Museum of Singapore)" /&gt;&lt;/a&gt;&lt;br /&gt;(Detail view: LEFT: Singapore Volunteer Corps Institute, RIGHT: Singapore Handicraft Centre)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/22388919@N00/4114576473/" title="Michael Lee 77 (Image by ChrisP. Courtesy of National Museum of Singapore) by 060672, on Flickr"&gt;&lt;img src="http://farm3.static.flickr.com/2750/4114576473_f3d4d2c0c2_s.jpg" width="75" height="75" alt="Michael Lee 77 (Image by ChrisP. Courtesy of National Museum of Singapore)" /&gt;&lt;/a&gt;&lt;br /&gt;(Detail view: National Library)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/22388919@N00/4114534895/" title="Michael Lee 08 (Image by ChrisP. Courtesy of National Museum of Singapore) by 060672, on Flickr"&gt;&lt;img src="http://farm3.static.flickr.com/2486/4114534895_27bb809e8c_s.jpg" width="75" height="75" alt="Michael Lee 08 (Image by ChrisP. Courtesy of National Museum of Singapore)" /&gt;&lt;/a&gt;&lt;br /&gt;(Caption for Shell House/Singapore Rubber House)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/22388919@N00/4114525267/" title="Michael Lee 18 (Image by ChrisP. Courtesy of National Museum of Singapore) by 060672, on Flickr"&gt;&lt;img src="http://farm3.static.flickr.com/2498/4114525267_fccc6193ea_s.jpg" width="75" height="75" alt="Michael Lee 18 (Image by ChrisP. Courtesy of National Museum of Singapore)" /&gt;&lt;/a&gt;&lt;br /&gt;(Installation view with visitors on staircase)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/22388919@N00/4114832045/" title="Michael Lee 64 (Image by ChrisP. Courtesy of National Museum of Singapore) by 060672, on Flickr"&gt;&lt;img src="http://farm3.static.flickr.com/2467/4114832045_c48ce832c3_s.jpg" width="75" height="75" alt="Michael Lee 64 (Image by ChrisP. Courtesy of National Museum of Singapore)" /&gt;&lt;/a&gt;&lt;br /&gt;(Detail with caption for National Theatre)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/22388919@N00/4115298568/" title="Michael Lee 11 (Image by ChrisP. Courtesy of National Museum of Singapore) by 060672, on Flickr"&gt;&lt;img src="http://farm3.static.flickr.com/2514/4115298568_cc1b6ed445_s.jpg" width="75" height="75" alt="Michael Lee 11 (Image by ChrisP. Courtesy of National Museum of Singapore)" /&gt;&lt;/a&gt;&lt;br /&gt;(Detail of one of the models: Singapore Daydreaming Centre)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/22388919@N00/4115626360/" title="RIMG0193 by 060672, on Flickr"&gt;&lt;img src="http://farm3.static.flickr.com/2545/4115626360_cd05a2b53d_s.jpg" width="75" height="75" alt="RIMG0193" /&gt;&lt;/a&gt;&lt;br /&gt;(Backview of audience taking photographs of artwork on staircase; Photo by Michael Lee Hong Hwee)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/22388919@N00/4116244495/" title="13635_169301108698_576038698_2669672_5385998_n by 060672, on Flickr"&gt;&lt;img src="http://farm3.static.flickr.com/2653/4116244495_abd5e10982_s.jpg" width="75" height="75" alt="13635_169301108698_576038698_2669672_5385998_n" /&gt;&lt;/a&gt;&lt;br /&gt;(View from Level 3; Photo by Patrick Storey)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/22388919@N00/4114857223/" title="RIMG0196 by 060672, on Flickr"&gt;&lt;img src="http://farm3.static.flickr.com/2682/4114857223_d67a24a96d_s.jpg" width="75" height="75" alt="RIMG0196" /&gt;&lt;/a&gt;&lt;br /&gt;(View of audience taking photograph from Level 3; Photo by Michael Lee Hong Hwee)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/22388919@N00/4114857391/" title="RIMG0197 by 060672, on Flickr"&gt;&lt;img src="http://farm3.static.flickr.com/2790/4114857391_ceca4451f3_s.jpg" width="75" height="75" alt="RIMG0197" /&gt;&lt;/a&gt;&lt;br /&gt;(View from bottom up; Photo by Michael Lee Hong Hwee)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Related:&lt;/span&gt;&lt;br /&gt;Press release of exhibition via &lt;a href="http://www.nationalmuseum.org.sg/nms/nms_html/PDF/Press%20Room/Media%20advisory%20-%20Lost%20in%20the%20City.pdf"&gt;National Museum&lt;/a&gt; &lt;br /&gt;Caption of artwork via &lt;a href="http://www.nationalmuseum.sg/nms/nms_html/nms_content_6c.asp?content_template=4&amp;content_id=11&amp;tab_id=11&amp;cine_id=1910&amp;fest_id=0"&gt;National Museum&lt;/a&gt;&lt;br /&gt;Photo of artwork by &lt;a href="http://www.flickr.com/photos/babykailan/"&gt;babykailan&lt;/a&gt; via &lt;a href="http://www.flickr.com/photos/babykailan/4018519473/"&gt;flickr&lt;/a&gt;&lt;br /&gt;Photos of exhibition and venue by &lt;a href="http://oneguyonegirl.blogspot.com/2009/09/national-museum-of-singapore-love-tank.html"&gt;Mingyi&lt;/a&gt; on &lt;a href="http://oneguyonegirl.blogspot.com/2009/09/national-museum-of-singapore-love-tank.html"&gt;The Love Story&lt;/a&gt;&lt;br /&gt;Review of exhibition by &lt;a href="http://www.blogger.com/profile/14931706810987722385"&gt;Ai Ting&lt;/a&gt; via &lt;a href="http://adm420-aiting.blogspot.com/2009/10/nus-museum-lost-in-city.html"&gt;Cities, Bodies, Memories, Art&lt;/a&gt;&lt;br /&gt;Review of exhibition by &lt;a href="http://artyii.wordpress.com/about/"&gt;Shannon and Cai Lin&lt;/a&gt; on &lt;a href="http://artyii.wordpress.com/2009/08/27/the-lost-city/"&gt;Getting into the Art Side of Business&lt;/a&gt;&lt;br /&gt;Review of exhibition by &lt;a href="mailto:blacksteps@gmail.com"&gt;Stephen Black&lt;/a&gt; in &lt;a href="http://michaelleehonghwee.blogspot.com/2009/11/i-really-shouldnt-tell-you-these-things.html"&gt;Singapore Architect #253&lt;/a&gt;&lt;br /&gt;Review of exhibition by Ho Rui An in &lt;a href="http://www.arterimalaysia.com/2009/11/25/musing-spaces/"&gt;ARTERI&lt;/a&gt; and &lt;a href="http://opencontours.wordpress.com/"&gt;Open Contours&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9157044389053604082-8807978902737365365?l=michaelleehonghwee.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelleehonghwee.blogspot.com/feeds/8807978902737365365/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://michaelleehonghwee.blogspot.com/2009/11/national-columbarium-of-singapore.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9157044389053604082/posts/default/8807978902737365365'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9157044389053604082/posts/default/8807978902737365365'/><link rel='alternate' type='text/html' href='http://michaelleehonghwee.blogspot.com/2009/11/national-columbarium-of-singapore.html' title='National Columbarium of Singapore'/><author><name>Michael Lee</name><uri>http://www.blogger.com/profile/09902824114471110979</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm3.static.flickr.com/2714/4115626196_0fb7e3a5cf_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-9157044389053604082.post-6807247333987177694</id><published>2009-11-18T06:54:00.000-08:00</published><updated>2009-11-18T23:09:26.784-08:00</updated><title type='text'>I Really Shouldn't Tell You These Things</title><content type='html'>REVIEW&lt;br /&gt;I Really Shouldn't Tell You These Things&lt;br /&gt;Stephen Black&lt;br /&gt;Singapore Architect #253&lt;br /&gt;Oct/Nov 2009&lt;br /&gt;pp. 116-9&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/22388919@N00/4114364367/" title="SA251A by 060672, on Flickr"&gt;&lt;img src="http://farm3.static.flickr.com/2751/4114364367_d4eda9efb5_t.jpg" width="72" height="100" alt="SA251A" /&gt;&lt;/a&gt; &lt;a href="http://www.flickr.com/photos/22388919@N00/4114364613/" title="SA253B by 060672, on Flickr"&gt;&lt;img src="http://farm3.static.flickr.com/2742/4114364613_2044dcf5ef.jpg" width="72" height="100" alt="SA253B" /&gt;&lt;/a&gt; &lt;a href="http://www.flickr.com/photos/22388919@N00/4115133672/" title="SA253C by 060672, on Flickr"&gt;&lt;img src="http://farm3.static.flickr.com/2500/4115133672_ff6e2c9d77.jpg" width="72" height="100" alt="SA253C" /&gt;&lt;/a&gt; &lt;a href="http://www.flickr.com/photos/22388919@N00/4115134126/" title="SA253D by 060672, on Flickr"&gt;&lt;img src="http://farm3.static.flickr.com/2659/4115134126_9d69b63c82.jpg" width="72" height="100" alt="SA253D" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Related:&lt;/span&gt;&lt;br /&gt;Press release of exhibition via &lt;a href="http://www.nationalmuseum.org.sg/nms/nms_html/PDF/Press%20Room/Media%20advisory%20-%20Lost%20in%20the%20City.pdf"&gt;National Museum&lt;/a&gt; &lt;br /&gt;Caption of artwork via &lt;a href="http://www.nationalmuseum.sg/nms/nms_html/nms_content_6c.asp?content_template=4&amp;content_id=11&amp;tab_id=11&amp;cine_id=1910&amp;fest_id=0"&gt;National Museum&lt;/a&gt;&lt;br /&gt;Photo of artwork by &lt;a href="http://www.flickr.com/photos/babykailan/"&gt;babykailan&lt;/a&gt; via &lt;a href="http://www.flickr.com/photos/babykailan/4018519473/"&gt;flickr&lt;/a&gt;&lt;br /&gt;Documentation of &lt;a href="http://michaelleehonghwee.blogspot.com/2009/11/national-columbarium-of-singapore.html"&gt;artwork&lt;/a&gt;&lt;br /&gt;Photos of exhibition and venue by &lt;a href="http://oneguyonegirl.blogspot.com/2009/09/national-museum-of-singapore-love-tank.html"&gt;Mingyi&lt;/a&gt; on &lt;a href="http://oneguyonegirl.blogspot.com/2009/09/national-museum-of-singapore-love-tank.html"&gt;The Love Story&lt;/a&gt;&lt;br /&gt;Review of exhibition by &lt;a href="http://www.blogger.com/profile/14931706810987722385"&gt;Ai Ting&lt;/a&gt; via &lt;a href="http://adm420-aiting.blogspot.com/2009/10/nus-museum-lost-in-city.html"&gt;Cities, Bodies, Memories, Art&lt;/a&gt;&lt;br /&gt;Review of exhibition by &lt;a href="http://artyii.wordpress.com/about/"&gt;Shannon and Cai Lin&lt;/a&gt; on &lt;a href="http://artyii.wordpress.com/2009/08/27/the-lost-city/"&gt;Getting into the Art Side of Business&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9157044389053604082-6807247333987177694?l=michaelleehonghwee.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelleehonghwee.blogspot.com/feeds/6807247333987177694/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://michaelleehonghwee.blogspot.com/2009/11/i-really-shouldnt-tell-you-these-things.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9157044389053604082/posts/default/6807247333987177694'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9157044389053604082/posts/default/6807247333987177694'/><link rel='alternate' type='text/html' href='http://michaelleehonghwee.blogspot.com/2009/11/i-really-shouldnt-tell-you-these-things.html' title='I Really Shouldn&apos;t Tell You These Things'/><author><name>Michael Lee</name><uri>http://www.blogger.com/profile/09902824114471110979</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm3.static.flickr.com/2751/4114364367_d4eda9efb5_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-9157044389053604082.post-8151416671306749407</id><published>2009-11-16T11:59:00.000-08:00</published><updated>2009-11-18T07:02:26.095-08:00</updated><title type='text'>Press</title><content type='html'>&lt;span style="font-weight:bold;"&gt;Curatorial Introduction:&lt;/span&gt;&lt;br /&gt;2007 Contextless Bodies in Skive: A Worker's Guide&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Text Contribution:&lt;/span&gt;&lt;br /&gt;2008 obliquely affected&lt;br /&gt;2008 How To Doodle, or A Private View on an Artist's Everyday Life&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Preview:&lt;/span&gt;&lt;br /&gt;2008 Anarchitecture Bananas&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Review:&lt;/span&gt;&lt;br /&gt;&lt;a href="http://opencontours.wordpress.com/"&gt;2009 The Finer Things&lt;/a&gt;&lt;br /&gt;&lt;a href="http://michaelleehonghwee.blogspot.com/2009/11/i-really-shouldnt-tell-you-these-things.html"&gt;2009 I Really Shouldn't Tell You These Things | Stephen Black&lt;/a&gt;&lt;br /&gt;2009 Love Simply&lt;br /&gt;2008 A Glimpse into Lives of Artists&lt;br /&gt;2008 AAA Project: Review of A-Z, 26 Locations to Put Everything&lt;br /&gt;2008 Afternoon Tea with Michael Lee&lt;br /&gt;2008 Art varies in size and value&lt;br /&gt;2008 Books: Preoccupations****&lt;br /&gt;2008 Book Review: Preoccupations: Things Artists Do Anyway (Singapore Architect)&lt;br /&gt;2008 Book Review: Preoccupations: Things Artists Do Anyway (macauCLOSER)&lt;br /&gt;2008 Confessions of an Artist&lt;br /&gt;2008 Hong Kong Anarchitecture Bananas (ampost)&lt;br /&gt;2008 It's a bit personal&lt;br /&gt;2008 Kidnap Urban Spaces&lt;br /&gt;2008 Kidnapping Exhibition Sadness&lt;br /&gt;2008 Mixed fortunes | John Batten&lt;br /&gt;2008 Troisième triennale de Canton&lt;br /&gt;2008 What artists do for fun&lt;br /&gt;2008 Planning a City of Sadness&lt;br /&gt;2008 Reform&lt;br /&gt;2008 Obsessions&lt;br /&gt;2008 Sad Architecture, Regrettably Exhibited&lt;br /&gt;2008 Small wonders make big impression&lt;br /&gt;2007 Show and Tell&lt;br /&gt;2007 WE: Negotiating the  Fabric of the Real and the Imagined&lt;br /&gt;2007 Daniel Libeskind's Reflections and Key Works, 1989 - 2014 Exhibition&lt;br /&gt;2007 The $100,000 Art Gallery&lt;br /&gt;2007 Singapore artists crosses the sea to train new talents&lt;br /&gt;2007 Show and tell&lt;br /&gt;2007 re-examining our heritage&lt;br /&gt;2007 Provocative Ghost-less shells&lt;br /&gt;2007 From Words to Pictures: Art During the Emergency&lt;br /&gt;2007 building a need for space&lt;br /&gt;2007 Book Lovers Unite!&lt;br /&gt;2006 alter-aesthetics - Lovely load of rubbish?&lt;br /&gt;2004 Off the Beaten Track&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Commentary:&lt;/span&gt;&lt;br /&gt;2008 On abysses and other dark matter&lt;br /&gt;2008 Encounters&lt;br /&gt;2007 An Invisible Influence&lt;br /&gt;2006 On Roads Much Travelled&lt;br /&gt;2006 From Tian'anmen to Times Square&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Interview:&lt;/span&gt;&lt;br /&gt;2008 Untitled (Interview with Cornelia Erdmann)&lt;br /&gt;2008 Preoccupations: Things Artists Do Anyway (Radio interview)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Online Mention:&lt;/span&gt;&lt;br /&gt;2008 The Consolations of Museology&lt;br /&gt;2008 the cattle depot artist’s commune &amp; anarchitecture bananas&lt;br /&gt;2008 Hong Kong Anarchitecture Bananas&lt;br /&gt;2008 Hong Kong Anarchitecture Bananas &lt;br /&gt;2007 Michael Lee's Skive: A Worker's Guide installation&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9157044389053604082-8151416671306749407?l=michaelleehonghwee.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelleehonghwee.blogspot.com/feeds/8151416671306749407/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://michaelleehonghwee.blogspot.com/2009/11/press.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9157044389053604082/posts/default/8151416671306749407'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9157044389053604082/posts/default/8151416671306749407'/><link rel='alternate' type='text/html' href='http://michaelleehonghwee.blogspot.com/2009/11/press.html' title='Press'/><author><name>Michael Lee</name><uri>http://www.blogger.com/profile/09902824114471110979</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-9157044389053604082.post-1096211470194455682</id><published>2009-11-16T11:53:00.000-08:00</published><updated>2009-11-18T10:43:32.224-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Michael Lee'/><category scheme='http://www.blogger.com/atom/ns#' term='CV'/><title type='text'>Making</title><content type='html'>&lt;span style="font-weight:bold;"&gt;Artist's Book:&lt;/span&gt;&lt;br /&gt;2008 The Consolations of Museology&lt;br /&gt;2008 The Booked, the Unbooked and the Unbookable&lt;br /&gt;2008 Every Architecture is a Banana&lt;br /&gt;2007 Confessions of a Slug&lt;br /&gt;2007 The $100,000 Gallery of Art&lt;br /&gt;2007 Appearance of Desire&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Architectural Model:&lt;/span&gt;&lt;br /&gt;2009- The World Unexposition&lt;br /&gt;&lt;a href="http://michaelleehonghwee.blogspot.com/2009/11/national-columbarium-of-singapore.html"&gt;2009 National Columbarium of Singapore&lt;/a&gt;&lt;br /&gt;2008 Mirror, Mirror on the Wall: Which is the Sweetest Home of Them All?&lt;br /&gt;2008 The Consolations of Museology&lt;br /&gt;2007 The $100,000 Gallery of Art&lt;br /&gt;2005-6 City Planned: Tracing Monuments&lt;br /&gt;2005 Notes Towards a Corporeal City&lt;br /&gt;2004 Vertigo&lt;br /&gt;2003 Stud House&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Paper Sculpture:&lt;/span&gt;&lt;br /&gt;2008 Will the Real Phoenix Please Stand Up?&lt;br /&gt;2008 Mail Order: Gifts from Heaven&lt;br /&gt;2008 The BIG Sweep&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Infographic:&lt;/span&gt;&lt;br /&gt;2010 Notes Towards a Museum of Cooking Pot Bay&lt;br /&gt;2009 Consulting the Supernatural&lt;br /&gt;2009 100 Ways to Make Art (and Have Sex Too)&lt;br /&gt;2009 Schedule of Lost Monuments Named After Singapore&lt;br /&gt;2009 An Almost Natural History of Life&lt;br /&gt;2008 An Almost Natural History of Social Relations&lt;br /&gt;2008 Typing as Prophecy&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Photography/Photo-Installation:&lt;/span&gt;&lt;br /&gt;2007 How Aren't Things?&lt;br /&gt;2006 Unconscious Drawing&lt;br /&gt;2005/7 Skive: A Worker's Guide&lt;br /&gt;2004 Body Meets Building (contribution to Mindwasabi)&lt;br /&gt;2004 Staircase: A User's Guide&lt;br /&gt;2004 Prepairing for Work&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Painting/Drawing:&lt;/span&gt;&lt;br /&gt;2004 Anatomical: Architectural&lt;br /&gt;2002 The Work of Shadow in an Age of Electronic Repercussion&lt;br /&gt;2001 Three in One&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Video:&lt;/span&gt;&lt;br /&gt;2008 Hinterlands: The Consolations of Museology&lt;br /&gt;2008 Curatorial Documentation of Eniminimimos (Work-in-Progress)&lt;br /&gt;2007 The $100,000 Gallery of Art&lt;br /&gt;2005 Elsewhere, Elsewhen (#4 of 8)&lt;br /&gt;2005 Saying Thank You By Saying Sorry (Arts Awards 2005)&lt;br /&gt;2004 Cinetectonics of Desire&lt;br /&gt;2004 A Psychotectonic Experiment&lt;br /&gt;2001/3 A Thesis on Cruising&lt;br /&gt;2001 Non-Art Objects&lt;br /&gt;2003 Caressing the Gallery&lt;br /&gt;1999 When Ends Don't Meet&lt;br /&gt;1996-7/2001 One or Zero&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Performance:&lt;/span&gt;&lt;br /&gt;2009 Consulting the Supernatural (in collaboration with Tang Ling Nah)&lt;br /&gt;2007 Appearance of Desire&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9157044389053604082-1096211470194455682?l=michaelleehonghwee.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelleehonghwee.blogspot.com/feeds/1096211470194455682/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://michaelleehonghwee.blogspot.com/2009/11/making.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9157044389053604082/posts/default/1096211470194455682'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9157044389053604082/posts/default/1096211470194455682'/><link rel='alternate' type='text/html' href='http://michaelleehonghwee.blogspot.com/2009/11/making.html' title='Making'/><author><name>Michael Lee</name><uri>http://www.blogger.com/profile/09902824114471110979</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-9157044389053604082.post-4760642586724691788</id><published>2009-11-16T11:49:00.000-08:00</published><updated>2009-11-16T11:51:45.802-08:00</updated><title type='text'>Curating</title><content type='html'>&lt;span style="font-weight:bold;"&gt;Solo:&lt;/span&gt;&lt;br /&gt;2007 Between, Besides, Beyond: Daniel Libeskind's Reflections and Key Works, 1989-2014&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Group:&lt;/span&gt;&lt;br /&gt;2010 Altru-Aesthetics: The Art of Help&lt;br /&gt;2009 Eniminiminimos: Artists Who Make Things Small II&lt;br /&gt;2008 Preoccupations: Things Artists Do Anyway (with Cornelia Erdmann)&lt;br /&gt;2008 Hong Kong Anarchitecture Bananas (with Lee Chun Fung)&lt;br /&gt;2008 Eniminiminimos: Artists Who Make Things Small&lt;br /&gt;2008 Arrest&lt;br /&gt;2007 Autobiobliophiles: Artists who make or use books&lt;br /&gt;2006 Appetites for Litter: The 6th Emerging Artists Show  &lt;br /&gt;2005 Txtrapolis: Contemporary Text-Based Art from S’pore&lt;br /&gt;2004 In the Flesh: Nude in Contemporary Art (with Sim Kok Huoy  &amp; Tay Swee Siong)&lt;br /&gt;2004 WoodLand, Woodlands Regional Library (with Ahamd Mashadi &amp; June Yap)&lt;br /&gt;2003 Cinepolitans: Inhabitants of a Filmic City  (with Tang Ling Nah)&lt;br /&gt;2001 Eye-dentifying Peranakan Cultures (with Sim Kok Huoy &amp; Hong Sek Chern)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9157044389053604082-4760642586724691788?l=michaelleehonghwee.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelleehonghwee.blogspot.com/feeds/4760642586724691788/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://michaelleehonghwee.blogspot.com/2009/11/curating.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9157044389053604082/posts/default/4760642586724691788'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9157044389053604082/posts/default/4760642586724691788'/><link rel='alternate' type='text/html' href='http://michaelleehonghwee.blogspot.com/2009/11/curating.html' title='Curating'/><author><name>Michael Lee</name><uri>http://www.blogger.com/profile/09902824114471110979</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-9157044389053604082.post-2179025764397076897</id><published>2009-11-16T11:24:00.000-08:00</published><updated>2009-11-16T19:44:54.185-08:00</updated><title type='text'>Writing</title><content type='html'>&lt;span style="font-weight:bold;"&gt;Infographic:&lt;/span&gt;&lt;br /&gt;2010 Notes Towards a Museum of Cooking Pot Bay&lt;br /&gt;2009 Consulting the Supernatural&lt;br /&gt;2009 Schedule of Lost Monuments Named After Singapore&lt;br /&gt;2009 An Almost Natural History of Life&lt;br /&gt;2008 An Almost Natural History of Social Relations&lt;br /&gt;2008 Typing as Prophecy&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Curatorial/Editorial Essay:&lt;/span&gt;&lt;br /&gt;2009 How Big is Small&lt;br /&gt;2008 On Doing&lt;br /&gt;2008 Small is Big&lt;br /&gt;2008 On Slowness and Solidification&lt;br /&gt;2008 Daze in the City&lt;br /&gt;2008 These Books Are Made For Watching&lt;br /&gt;2007 Reflections as Intervention&lt;br /&gt;2006 One Trash's Man is Another's Monster&lt;br /&gt;2005 Txtrapolis&lt;br /&gt;2004 Unclad&lt;br /&gt;2004 A Brief Art History of Nature&lt;br /&gt;2003 Cinepolitans (co-written with Tang Ling Nah)&lt;br /&gt;2001 Eye-dentifying Pernakan Cultures)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Catalogue/Brochure Contribution:&lt;/span&gt;&lt;br /&gt;2007 Manifesto (c/o MY ARTISTS)&lt;br /&gt;2006 Untitled (c/o Positions)&lt;br /&gt;2006 Encyclopedia Blankia&lt;br /&gt;2005 The Truth about David Chan's Cats and Dogs&lt;br /&gt;2005 On Being Unsure&lt;br /&gt;2005 The Shadow Escapes....&lt;br /&gt;2004 Spirited Away&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Commentary/Review:&lt;/span&gt;&lt;br /&gt;2009 Junk Mnemonic&lt;br /&gt;2009 Aesthetic as Relief&lt;br /&gt;2009 Museums of the Imagination&lt;br /&gt;2009 Possible, All Too Possible&lt;br /&gt;2009 Natural Born Failures &lt;br /&gt;2008 Library of Mess&lt;br /&gt;2008 One Plus One Makes More&lt;br /&gt;2008 Typing as Prophecy&lt;br /&gt;2008 How to be a Dummy&lt;br /&gt;2004 The Inevitable Body&lt;br /&gt;2003 Critique of the Urban Order  &lt;br /&gt;2003 Contemporary Singapore Filmmaking (with Tan See Kam &amp; Annette Aw)&lt;br /&gt;2003 Tackling History&lt;br /&gt;2003 Poetics of the Ruin&lt;br /&gt;2000 Dead Man Gazing&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Interview/Conversation:&lt;/span&gt;&lt;br /&gt;2009 Space &amp; its Creative Energies: Hu Fang&lt;br /&gt;2007 Drawing Bodies: Genevieve Chua&lt;br /&gt;2005 Notes Towards an Interdisciplinary Artist&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Editing/Copyediting/Proofreading:&lt;/span&gt;&lt;br /&gt;2008 Drawing Out Conversations: Eight Slangs &lt;br /&gt;2006 Send Me An Angel    &lt;br /&gt;&lt;a href="http://www.tanhaihan.com/tsiwtswy.html"&gt;2009 the sky i wish to share with you&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Statement/Preface:&lt;/span&gt;&lt;br /&gt;2008 Homes for the Damned&lt;br /&gt;2005 What's a Body Got to Do with a Building?&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Aphorism/List:&lt;/span&gt;&lt;br /&gt;2009 100 Ways to Make Art (and Have Sex Too) &lt;br /&gt;2008 Manifesto No. 1 (c/o Hong Kong Anarchitecture Bananas)&lt;br /&gt;2007 Manifesto (c/o MY ARTISTS)   &lt;br /&gt;2007 Appearance of Desire&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Publishing:&lt;/span&gt;&lt;br /&gt;2008 The Consolations of Museology &lt;br /&gt;2008 Unbookshop&lt;br /&gt;2008 Foundations: The Consolations of Museology &lt;br /&gt;2008 Every Architecture is a Banana &lt;br /&gt;2008 Preoccupations: Things Artists Do Anyway &lt;br /&gt;2007 The $100,000 Gallery of Art &lt;br /&gt;2007 Documents: The $100,000 Gallery of Art &lt;br /&gt;2006 Appetites for Litter: The 6th Emerging Artists Show &lt;br /&gt;2005 When a Body Meets a Building &lt;br /&gt;2003 Cinepolitans: Inhabitants of a Filmic City&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9157044389053604082-2179025764397076897?l=michaelleehonghwee.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelleehonghwee.blogspot.com/feeds/2179025764397076897/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://michaelleehonghwee.blogspot.com/2009/11/writing.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9157044389053604082/posts/default/2179025764397076897'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9157044389053604082/posts/default/2179025764397076897'/><link rel='alternate' type='text/html' href='http://michaelleehonghwee.blogspot.com/2009/11/writing.html' title='Writing'/><author><name>Michael Lee</name><uri>http://www.blogger.com/profile/09902824114471110979</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-9157044389053604082.post-6443507859142475856</id><published>2009-11-16T10:54:00.000-08:00</published><updated>2009-11-16T11:36:02.085-08:00</updated><title type='text'>About</title><content type='html'>&lt;span style="font-weight:bold;"&gt;Biography:&lt;/span&gt;&lt;br /&gt;Michael Lee Hong Hwee is a visual artist based in Singapore. He explores his concern with desire and space through different art forms especially model, book, photography, video, installation, writing and curating. International events in which he has participated include: The 3rd Guangzhou Triennial 2008 (Independent Projects section; Guangdong Museum of Art), The 2005 World Exposition (Singapore Pavilion; Nagoya) and International Film &amp; Video Association Film Award &amp; Festival 1997 (Winner, Experimental Category; Texas). He was the curator of architect Daniel Libeskind's first solo exhibition in Asia: Between, Beside, Beyond: Reflections &amp; Key Works, 1989-2014 (Singapore Art Museum, 2007), and a recipient of Young Artist Award (Visual Arts) 2005, conferred by National Arts Council, Singapore.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Curriculum Vitae:&lt;/span&gt;&lt;br /&gt;Academic Qualifications&lt;br /&gt;2001 M. of Communication Studies, Nanyang Tech. University (NTU), SG&lt;br /&gt;1997 B. of Communication Studies (2nd Upp. Hons.), NTU, SG&lt;br /&gt;&lt;br /&gt;Other Qualifications&lt;br /&gt;2005 Specialist Cert. in Youth Mgt., Nanyang Academy of Fine Arts, SG&lt;br /&gt;2003 Postgrad. Dip. in Higher Ed., National Institute of Education, SG&lt;br /&gt;2002 Basic Cert. in Creative Writing, LASALLE-SIA College of the Arts, SG&lt;br /&gt;&lt;br /&gt;Solo Exhibitions&lt;br /&gt;2008 A Psychotaxonomy of Home, Baba House, SG&lt;br /&gt;2004 When a Body Meets a Building, Alliance Francaise de Singapour, SG&lt;br /&gt;&lt;br /&gt;Duo Exhibitions&lt;br /&gt;2008 A-Z, 26 Locations to Put Everything (with Pamela Kember), Asia Art Archive, HK&lt;br /&gt;2007 Building Conversations: Michael Lee &amp; Nadia Bhamadhaj, Singapore Art Museum, SG&lt;br /&gt;&lt;br /&gt;Select Group Exhibitions&lt;br /&gt;2009 Whose Exhibition is This?, Taipei Fine Arts Museum, SG (with Tang Ling Nah)&lt;br /&gt;2009 Lost in the City, National Museum, SG&lt;br /&gt;2009 Curating Lab: 100 Objects (Remixed), HT Contemporary Space, SG&lt;br /&gt;2009 Air-conditioned Recession, Valentine Willie Fine Arts, SG&lt;br /&gt;2009 Blackout, Q Square, SG&lt;br /&gt;2009 Unspeaking Engagements, Chulalongkorn BKK &amp; Lanchester Gallery, Coventry&lt;br /&gt;2009 Sex in the City: Hong Kong, Blue Lotus Gallery, HK&lt;br /&gt;2009 Love Simply, Hang Fat Studio, HK&lt;br /&gt;2008 3rd Guangzhou Triennial (Independent Projects), Guangdong Museum of Art, GZ&lt;br /&gt;2008 The First Edition, the shop, Beijing&lt;br /&gt;2008 Greedy?, C+G Artpartment, HK&lt;br /&gt;2008 ArtMART 2008, Para/Site, HK&lt;br /&gt;2008 -bok, 1aspace, HK&lt;br /&gt;2008 Blinded Colour, Cheng Ming Building, HK&lt;br /&gt;2008 Hong Kong Anarchitecture Bananas, Artist Commune, HK&lt;br /&gt;2008 Reform, Fringe Club, HK&lt;br /&gt;2008 Eniminiminimos: Artists who make things small, Studio Bibliothèque, HK&lt;br /&gt;2007 city_NET Asia (Singapore Pavillion), Seoul Museum of Art, Seoul&lt;br /&gt;2007 Focus Automatically, Museum of Suzhou Art &amp; Technology Institute, Suzhou&lt;br /&gt;2007 Labryinth, Art &amp; Knowledge Space, Beijing&lt;br /&gt;2007 14QK: Art responds to 14K, Para/site, HK&lt;br /&gt;2007 WE, National University of Singapore Museum, SG&lt;br /&gt;2007 From Words to Pictures: Art During the Emergency, S'pore Art Museum, SG&lt;br /&gt;2007 Singapore Art Exhibition (Invited Section), S'pore Art Museum, SG&lt;br /&gt;2007 26th UOB Painting of the Year, The Esplanade, Singapore&lt;br /&gt;2006 Beneath the Pavement: Discovering the City, S'pore Art Museum, SG&lt;br /&gt;2006 21st Asian International Art Exhibition, Epsite Gallery, SG&lt;br /&gt;2006 SAMA SAMA, Theatreworks, SG&lt;br /&gt;2006 WithDrawing, Nanyang Academy of Fine Arts, SG&lt;br /&gt;2005 Creative Curating Lab, Raffles City Showcase, SG&lt;br /&gt;2005 Asian Traffic, Jendela, Esplanade – Theatres on the Bay, SG&lt;br /&gt;2005 The 2005 World Exposition (Singapore Pavilion), Aichi&lt;br /&gt;2005 DC Celebrates!, Drama Centre, Singapore&lt;br /&gt;2004 SCRATCH-OR, Imagine Library Art Loft, Shen Yang &amp; Beijing&lt;br /&gt;2004 SENI Singapore: Art and the Contemporary, Singapore Art Museum, SG&lt;br /&gt;2004 VIDEO AS URBAN CONDITION videoPOOL, Vargas Organisation, London&lt;br /&gt;2004 Reconstruction of a City, St. James Power Station, SG&lt;br /&gt;2004 Best of Singapore Art 2004, Citylink Showcase, SG&lt;br /&gt;2003 Now You See It, Utterly Art, SG&lt;br /&gt;2003 Sensitive Parts, Plastique Kinetic Worms, SG&lt;br /&gt;2002 abstraction02, NAFA Selegie Gallery, SG&lt;br /&gt;2002 NAFA Founder’s Day, NAFA Selegie Gallery, SG&lt;br /&gt;2001 Nokia Singapore Art 2001 (Curated Section), S'pore Art Museum, SG&lt;br /&gt;2001 Deriving Spaces, Plastique Kinetic Worms, SG&lt;br /&gt;2001 20th UOB Painting of the Year, UOB Plaza, SG&lt;br /&gt;2001 Vanda Miss Joaquim Sculpture Design, Tanjong Pagar CC, SG&lt;br /&gt;&lt;br /&gt;Select Group Screenings&lt;br /&gt;2005 Rebranding Launch, Gallery Hotel – The Hotel That Inspires, SG&lt;br /&gt;2004 Voices of Home, Esplanade – Theatres on the Bay, SG&lt;br /&gt;2003 14th Videobrasil, Sao Paulo&lt;br /&gt;2003 7th Thai Short Film &amp; Video Festival, Bangkok&lt;br /&gt;2002 7th Hong Kong Independent Short Film &amp; Video Awards, HK&lt;br /&gt;2001 1st Singapore Shorts Film Festival, The Substation, SG&lt;br /&gt;1998 Art on the Run, National Institute of Education, SG&lt;br /&gt;1997 NextFrame (travelling festival), Philadelphia&lt;br /&gt;1997 9th New York L&amp;G Film Festival, NY Film Academy, NY&lt;br /&gt;&lt;br /&gt;Select Awards &amp; Honours&lt;br /&gt;2007 Highly Commended (Photo), 26th UOB Painting of the Year, Esplanade, SG&lt;br /&gt;2006 2 Highly Commended (Photo), 25th UOB Paintg of the Year, Esplanade, SG&lt;br /&gt;2007 Commendation Award, Nanyang Academy of Fine Arts, SG&lt;br /&gt;2005 Young Artist Award (Visual Arts), National Arts Council, SG&lt;br /&gt;2002 2 Commendation Awards, Nanyang Academy of Fine Arts, SG&lt;br /&gt;2001 Highly Commended Entry, 20th UOB Painting of the Year, UOB Plaza, SG&lt;br /&gt;2001 Consolation, Vanda Ms Joaquim Sculpture, Tanjong Pagar CC, SG&lt;br /&gt;1997 1st Prize (Experimental), UFVA, Philadelphia (with W Phuan &amp; Tan CT)&lt;br /&gt;1997 Best Report, Professional Internship, Nanyang Technological University, SG&lt;br /&gt;1996 Distinction, United Television Outstanding Video, SG (with Chong SH)&lt;br /&gt;1995 3rd Prize, All-School Students' Video Competition, NTU, SG&lt;br /&gt;1992 Outstanding Soldier of the Month, 42nd Singapore Armoured Regiment, SG&lt;br /&gt;1988 1st Prize, Chinese Calligraphy Competition, Gan Eng Seng School, SG&lt;br /&gt;1984 2 Colours Awards (Top in Math &amp; Science – Pri 6), Keng Seng Pri Sch, SG&lt;br /&gt;1982 Colours Award (1st in Standard – Primary 4), Keng Seng Pri Sch, SG&lt;br /&gt;&lt;br /&gt;Select Scholarships, Grants &amp; Commissions&lt;br /&gt;2008 Commission, Integrated Art (Telok Blangah MRT Station - Circle Line), SG&lt;br /&gt;2008 Young Artist Award 2005 Project Grant (for The Consolations of Museology), NAC, SG&lt;br /&gt;2008 Project Grant (for Preoccupations), Hong Kong Arts Development Council, HK&lt;br /&gt;2006 Exhibition Grant (for Txtrapolis), Lee Foundation, SG&lt;br /&gt;2005 Commission, Rebranding Launch, Gallery Hotel – The Hotel That Inspires, SG&lt;br /&gt;2005 Commission, Launch of New Drama Centre, National Library Board, SG&lt;br /&gt;2004 Emerging Artist Grant (for When a Body Meets a Building), National Arts Council, SG&lt;br /&gt;2004 Exhibition Grant, Lee Foundation, SG&lt;br /&gt;2000 Travel Grant, Singapore Film Commission, SG&lt;br /&gt;2000 Conference Grant, Nanyang Tech. University, SG&lt;br /&gt;1998-2000 Full Scholarship for Graduate Studies, Nanyang Tech. University, SG&lt;br /&gt;&lt;br /&gt;Curatorial Projects&lt;br /&gt;2008 Hong Kong Anarchitecture Bananas, Artist Commune, HK (with Lee CF)&lt;br /&gt;2008 Eniminiminimos: Artists who make things small, Studio Bibliothèque, HK&lt;br /&gt;2007 Between, Beside, Beyond: Daniel Libeskind’s Reflections &amp; Key Works, SAM, SG&lt;br /&gt;2007 Autobiobliophiles: Artists who make or use books, Studio Bibliothèque, HK&lt;br /&gt;2006 Appetites for Litter: 8th Emerging Artists Show, Plastique Kinetic Worms, SG&lt;br /&gt;2005 Txtrapolis: Contemporary Text-Based Art from S’pore, NAFA Gallery 3, SG&lt;br /&gt;2004 In the Flesh: Nude in Contemporary Art, NAFA , SG(with Sim KH &amp; Tay SS)&lt;br /&gt;2004 WoodLand, Woodlands Regional Library, SG (with A Mashadi &amp; J Yap)&lt;br /&gt;2003 Cinepolitans: Inhabitants of a Filmic City, Esplanade, SG (with Tang LN)&lt;br /&gt;2001 Eye-dentifying Peranakan Cultures, NAFA, SG (with Sim KH &amp; Hong SC)&lt;br /&gt;&lt;br /&gt;Teaching Experiences&lt;br /&gt;2007-8 Contract Lecturer (Dept of Communication), University of Macau, Macau&lt;br /&gt;2007 Visiting Scholar (at rank of Asst Prof), Chinese University of HK, HK&lt;br /&gt;2006 PT Lecturer (Faculty of Fine Arts), LASALLE-SIA College of the Arts, SG&lt;br /&gt;2006 Academic Associate (Sch of Tech for the Arts), Republic Polytechnic, SG&lt;br /&gt;2004-6 Pathway Leader (Sch of Visual Arts), Nanyang Academy of Fine Arts, SG&lt;br /&gt;2003-4 Acting Deputy Head (Fine Art Depr), Nanyang Academy of Fine Arts, SG&lt;br /&gt;2000-6 FT Lecturer (Fine Art Department), Nanyang Academy of Fine Arts, SG&lt;br /&gt;1998-9 Tutor (Sch of Communication Studies), Nanyang Tech. University, SG&lt;br /&gt;&lt;br /&gt;Other Working Experiences&lt;br /&gt;1998 Documentary Director, Water Films Pte Ltd, SG&lt;br /&gt;1997-8 Production Assistant, Water FIlms Pte Ltd, SG&lt;br /&gt;1997 Freelance Videographer, Mediacorp, SG&lt;br /&gt;&lt;br /&gt;Select Public Presentations&lt;br /&gt;2008 Mara Show, Central Police Station, HK&lt;br /&gt;2008 Fotanian Seminar, Wah Luen Ind Ctr, HK&lt;br /&gt;2008 Artist’s Talk, HK Baptist University, Hong Kong&lt;br /&gt;2008 Guest Lecture (with Cornelia Erdmann), RMJM, HK&lt;br /&gt;2007 Artist’s Talk (with Isaac Leung &amp; Katrien Jacobs), HK University, HK&lt;br /&gt;2007 Artist’s Talk, Hong Kong Art Centre, Hong Kong&lt;br /&gt;2007 Hong Kong Salon Sexxchange, Videotage, HK&lt;br /&gt;2006 STLL (want to matter), Singapore Art Museum, SG&lt;br /&gt;2005 Creative Asia, Nanyang Academy of Fine Arts, SG&lt;br /&gt;2004 Performance Studies Int'l #10, S'pore Mgt University, SG&lt;br /&gt;2003 Art in Conversation with Technology, Plastique Kinetic Worms, SG&lt;br /&gt;2003 Contemporary Art Culture in Asia, LASALLE-SIA College of the Arts, SG&lt;br /&gt;2003 International Visual Literacy Conference, Newport&lt;br /&gt;2002 International Communication Association Conference, Seoul&lt;br /&gt;2001 Eye-dentifying Peranakan Cultures, Singapore Art Museum, SG&lt;br /&gt;2000 Asian Cinema Studies Society Conference, Oklahoma&lt;br /&gt;2000 International Communication Association Conference, Acapulco&lt;br /&gt;1998 Art on the Run, National Institute of Education, SG&lt;br /&gt;&lt;br /&gt;Other Professional Activities&lt;br /&gt;2006-8 Exco Member, Gallery Hotel Management, SG&lt;br /&gt;2006-7 Member, Acquisition Committee, Singapore Art Museum, SG&lt;br /&gt;2005 Judge, Singapore Art Show (Open Section), SG&lt;br /&gt;&lt;br /&gt;Editorial Projects&lt;br /&gt;2008 Preoccupations: Things artists do anyway (HK: S Bibliothèque), with C Erdmann&lt;br /&gt;2007 Send Me An Angel (SG: Tang Ling Nah), as editor&lt;br /&gt;2005 On The Haus (SG: Nanyang Acedemy of Fine Arts), as editorial advisor&lt;br /&gt;2003 Nature/Nurture (SG: Lim Soo Ngee), as editor&lt;br /&gt;&lt;br /&gt;Select Published Writings&lt;br /&gt;2008 "Two's Enough," Singapore Architect, 246 (SG: SIA).&lt;br /&gt;2008 "Small is big....," Eniminiminimos (HK: Studio Bibliothèque), pp. 2-5.&lt;br /&gt;2007 “This books are made for....,” Autobiobliophiles (HK: Studio Bibliothèque).&lt;br /&gt;2007 "Manifesto," MY ARTISTS (SG: WORM).&lt;br /&gt;2007 Appearance of Desire (SG: Michael Lee).&lt;br /&gt;2006 “One Trash’s Man….,” Appetites for Litter (SG: PKW).&lt;br /&gt;2006 “Encyclopaedia Blankia,” Blank (SG, NAFA).&lt;br /&gt;2005 "The Truth About....," A Divine Comedy (SG: Art Seasons), pp. 7-9.&lt;br /&gt;2005 “On Being Unsure,” Boo Sze Yang (Singapore: Boo Sze Yang, 2005), pp. 4-9.&lt;br /&gt;2005 “The Shadow Escapes….,” Kumi Yamashita (SG: Esplanade).&lt;br /&gt;2004 “The Inevitable Body,” realtime (http://www.realtimeart.com.au/).&lt;br /&gt;2004 “What’s a Body....?” When a Body Meets a Building (SG: Michael Lee).&lt;br /&gt;2004 “Spirited Away,” Sexuality and Religion (SG: Andree Weschler).&lt;br /&gt;2004 “Unclad,” In the Flesh (SG: NAFA).&lt;br /&gt;2003 “Tackling History,” vehicle no. 11(SG: PKW).&lt;br /&gt;2003 “Grouses Overheard,” vehicle no. 10 (SG:PKW): 20-2.&lt;br /&gt;2003 “Contemporary S'pore Filmmaking,” Jump Cut (6 Aug), with Tan SK &amp; A Aw. &lt;br /&gt;2003 “Poetics of the Ruin,” Singapore Architect, 217 (SG: SIA): 48-50.&lt;br /&gt;2002 “Critique of the Urban Order,” activated C (SG: Tang LN), pp. 13-19.&lt;br /&gt;2001 “Eye-dentifying Peranakan....,” S'pore Art Today, 2 (SG: NAC), pp. 12-19.&lt;br /&gt;2000 “Dead Man Gazing", Asian Cinema, 11: 99-131.&lt;br /&gt;&lt;br /&gt;Select Print Coverage&lt;br /&gt;2008 A Maerkle, “singa-pore,” AAP Almanac'08 Vol. 3 (NY: AAP), pp. 254-6.&lt;br /&gt;2008 Clara Chow, “Small wonders....,” Sunday Morning Post (20 Jan), p. 9.&lt;br /&gt;2007 David Chew, “Building Relationships,” TODAY (SG: Mediacorp, 4 Jan), p. 32.&lt;br /&gt;2006 David Chew, “Drawing on memories....,” TODAY (SG: Mediacorp, 31 Mar), p. 6.&lt;br /&gt;2006 Serene Yap, “New Media Art,” LIEN, 6 (Jun06) (SG: Alliance Francaise), p. 6.&lt;br /&gt;2006 Joselina Cruz, “On Roads Much Travelled,” Beneath the Pavement (SG: SAM).&lt;br /&gt;2006 Michelle Goh, “An Interview,” On The Haus, 2 (June 06) (SG: NAFA), pp. 3-6.&lt;br /&gt;2006 Gregory Low, “ARThouse,” New Paper on Sunday (SG: SPH, 26 Mar), p. 26.&lt;br /&gt;2006 “TXTRAPOLIS,” XFUNS, 22 (Taipei: Johnson), p. 108.&lt;br /&gt;2006 Tay Swee Lin, “Creative Curating Lab,” S'pore Art Show (SG: NAC), pp. 49-66.&lt;br /&gt;2005 T. K. Sabapathy, “Erased....,” Erased.... (SG: SSQ), pp. 4-5.&lt;br /&gt;2005 David Chew, “Building Primal Bonds,” TODAY (SG: Mediacorp, June 17), p. 50.&lt;br /&gt;2005 Cheah Ui-Hoon, “Drivers....,” The Business Times (SG: SPH, June 17), p. 28.&lt;br /&gt;2005 Iola Lenzi, “Asian Traffic,” Asian Traffic (SG: Esplanade).&lt;br /&gt;2004 Rajeev. S. Patke, “SENI 2004 as....,” SENI (SG: SAM), pp. 206-217.&lt;br /&gt;2004 Clara Chow, “Building a Body of Work,” The Straits Times (21 Aug), p. L7.&lt;br /&gt;2004 K. K. Goh, “Body Speaks to Building,” zbNOW (19 Aug), p. 5.&lt;br /&gt;2004 Cheow XY &amp; M Chopard, “Pushing Limits....,” Nanyang Chronicle (6 Sep), p. 7.&lt;br /&gt;2004 Lindy Poh, “More Closet Space,” When a Body.... (SG: Michael Lee), pp. 14-18.&lt;br /&gt;2004 Han KS, “A Conversation,” When a Body.... (SG: Michael Lee), pp. 25-40.&lt;br /&gt;2003 Jason Wee, “Three on Sexuality,” vehicle, 10(2003): 34-7.&lt;br /&gt;2003 Clara Chow, “Seeing Sex Through Art,” The Straits Times (5 Jun), p. L4.&lt;br /&gt;2003 Susie Wong, “Void Decks and Movie Houses,” d+a, pp. 74-6.&lt;br /&gt;2003 “Be a Big Man in a Small City,” The Straits Times (6 Mar), p. L5.&lt;br /&gt;2002 Peter Schoppert, “Deriving Spaces,” vehicle, 4: 48-53.&lt;br /&gt;2001 Sian E. Jay, “Art in the Open,” TODAY (4 Dec), p. 57.&lt;br /&gt;2001 Lindy Poh, “Dancing on Jelly....,” S'pore Art Today, 1 (SG: NAC), pp. 40-5.&lt;br /&gt;&lt;br /&gt;Select Broadcast Coverage&lt;br /&gt;2006 Amelia Tan, “New Confidence,” City Lights, Channel News Asia, SG&lt;br /&gt;2005 Wilson Yip, “Visual Arts,” Young Art Starts, Arts Central, SG&lt;br /&gt;2005 Foo Yueh Peng, “Pride,” What Men Want… Really, Channel News Asia, SG&lt;br /&gt;2005 Ray Ng, “Architecture &amp; Urbanisation,” HeART &amp; Soul, Ch U, Mediacorp, SG&lt;br /&gt;2005 Marilyn Lee, “Caressing the Gallery,” Pop Art, WKRZ FM100.3, SG&lt;br /&gt;2004 Spectrum, NTU In-Campus Television, SG&lt;br /&gt;2004 Marilyn Lee, “A Psychotectonic Experiment,” Pop Art, WKRZ FM100.3, SG&lt;br /&gt;2003 Mash, “Cinepolitans,” Passion FM92.4, SG&lt;br /&gt;&lt;br /&gt;Select Online Interviews &amp; Mentions&lt;br /&gt;2007 DesignTAXI (http://www.designtaxi.com/news.jsp?id=6627)&lt;br /&gt;2005 The Artist and His Model (http://www.anti-corporation.blogspot.com/)&lt;br /&gt;2005 POST (http://www.post.fm/features/0705/michael.htm)&lt;br /&gt;2005 FARM (http://www.farm.sg)&lt;br /&gt;&lt;br /&gt;Collections&lt;br /&gt;Guangdong Museum of Art&lt;br /&gt;Singapore Art Museum&lt;br /&gt;Nanyang Academy of Fine Arts (Singapore)&lt;br /&gt;Prof. Richard Ho&lt;br /&gt;Mr. Kelvin Ang&lt;br /&gt;Mr. Terence Phuah&lt;br /&gt;Ms. Lindy Poh&lt;br /&gt;Ms. Tang Ling Nah&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9157044389053604082-6443507859142475856?l=michaelleehonghwee.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelleehonghwee.blogspot.com/feeds/6443507859142475856/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://michaelleehonghwee.blogspot.com/2009/11/about.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9157044389053604082/posts/default/6443507859142475856'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9157044389053604082/posts/default/6443507859142475856'/><link rel='alternate' type='text/html' href='http://michaelleehonghwee.blogspot.com/2009/11/about.html' title='About'/><author><name>Michael Lee</name><uri>http://www.blogger.com/profile/09902824114471110979</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-9157044389053604082.post-3255056076993362831</id><published>2009-11-16T10:43:00.000-08:00</published><updated>2009-11-16T22:13:49.833-08:00</updated><title type='text'>Contact</title><content type='html'>&lt;span style="font-weight:bold;"&gt;Address:&lt;/span&gt;&lt;br /&gt;Blk 78 Moh Guan Terrace&lt;br /&gt;#04-23&lt;br /&gt;Singapore 162078&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Tel:&lt;/span&gt;&lt;br /&gt;(+65) 9684 3200&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Email:&lt;/span&gt;&lt;br /&gt;&lt;a href="mailto:michaelleehonghwee@gmail.com"&gt;michaelleehonghwee@gmail.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Studio Blog:&lt;/span&gt;&lt;br /&gt;&lt;a href="http://studiobibliotheque.blogspot.com/"&gt;http://studiobibliotheque.blogspot.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Facebook:&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.facebook.com/michaelleehonghwee"&gt;michaelleehonghwee&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9157044389053604082-3255056076993362831?l=michaelleehonghwee.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelleehonghwee.blogspot.com/feeds/3255056076993362831/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://michaelleehonghwee.blogspot.com/2009/11/info.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9157044389053604082/posts/default/3255056076993362831'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9157044389053604082/posts/default/3255056076993362831'/><link rel='alternate' type='text/html' href='http://michaelleehonghwee.blogspot.com/2009/11/info.html' title='Contact'/><author><name>Michael Lee</name><uri>http://www.blogger.com/profile/09902824114471110979</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
